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A CLOCKWORK ORANGE Malcolm Mc Dowell is over-the-top magnificent as a Beethoven-loving ringleader of a band of thugs in one of Stanley Kubrick’s most shocking and powerful films. Also at the Angelika Film Center Mosaic, 2911 District Ave., Fairfax, Va. A MOMENT IN THE REEDS This month’s Reel Affirmations Xtra screening is an intimate drama about the chance encounter of two men by a Finnish lakeside. Enter Jenny Slate as a young therapist charged with caring for Quinto’s character, who gets entangled in her patient’s obsession instead. Charlie Plummer apparently gives a great performance as Charley, who takes horse Lean on Pete from his disgruntled owner (Steve Buscemi) and proceeds to meet a bunch of colorful small-town Americana characters on his journey away from home.
AARDVARK Brian Shoaf’s drama stars Zachary Quinto — also a producer of the film — as a troubled man who has lived in the shadow of his brother (Jon Hamm) for so long, he starts seeing that shadow everywhere. (Rhuaridh Marr) LEAN ON PETE If what’s missing in your life is a coming-of-age tale in which a teenager steals a fading racehorse and runs away with him, this drama from Andrew Haigh () based on the novel by Willy Vlautin is here to help. Naturally, Hollywood has taken that idea, made it needlessly convoluted, charged Dwayne Johnson with stopping the monsters, and spent millions pasting over plot holes with CGI. All of it stems from the work of Ali Abu Awwad, who over the past few years has hosted regular sessions on his land at which people on both sides of the conflict share their stories and discuss their hopes and ideas for a better future. Friday, April 13, and Saturday, April 14, at midnight. Original music composed by Jonny Greenwood of Radiohead.
I DID IT MY WAY IN YIDDISH (IN ENGLISH) Metro Stage concludes its Spring Solo Series — “celebrating work by women, about women, starring women,” as a nod to the now-wrapped Women’s Voices Theater Festival — with a show by Canadian/New Zealand comic/musician Deb Filler, who strums her guitar and portrays a raft of lovable characters as she weaves tales about encounters with three Lennys. That’s the premise behind this theatrical romp through the Beatles’ repertoire, from the seminal performance of “I Wanna Hold Your Hand” on . Shen, Evan D’Angeles, Rafael Sebastian, Jon Norman Schneider, John Bambery, Chris Bloch, Lise Bruneau, Elan Zafir, Brice Guerriere, Chris Daileader, and Dallas Milholland. C.’s greatest contemporary actors, Susan Rome and Tom Story. But what this rendering loses of the standard “no place like home” moral is compensated for by an affecting sincerity in the heroes’ pursuits of brains, heart, courage, and family.
To April 29 at Signature Theatre, 4200 Campbell Ave., Arlington. LET IT BE: A CELEBRATION OF THE MUSIC OF THE BEATLES What if the Fab Four had reunited a decade after their break-up? Mark Brokaw () directs a production with choreography by Jeff Michael Rebudal and a cast including Ariel Felix, Kevin L. Theater J’s Adam Immerwahr directs the East Coast premiere of Karen Hartman’s play exploring the complex issues surrounding biomedical ethics and starring two of D. Based on an English translation by Alistair Beaton, finds the heroism of a woman who saves an abandoned baby put on trial during a time of corruption and violence in the Caucasus Mountains. With Steve Wannall, Melissa La Martina, and Andrew Lloyd Baughman. Trinidad Theatre in the Logan Fringe Art Space, 1358 Florida Ave. Murray in a work, by turns metaphysical and comic, romantic and philosophical, that follows a man returning home for his 20th high school reunion in hopes of rekindling things with his childhood sweetheart. The John Swayze Theatre in the New School of Northern Virginia, 9431 Silver King Court, Fairfax. Presented as part of its 25th anniversary season, Richmond Triangle Players touts as one of the most important plays of the modern era. The tale’s rougher edges of abandonment and anxiety have been smoothed over by a pithy comic sensibility ready to drop hip references to Siri and Wakanda.
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Kathryn Chase Bryer directs a local production of the bittersweet romance, a sweeping ode to young love, featuring Aaron Bliden, Tiziano D’Affuso, Ryan Manning, Sasha Olinick, Farrell Parker, Jamie Smithson, and Caroline Wolfson.
THE WIZ ★★★½ Friends of Dorothy, both young and young at heart, should find plenty to love in Ford’s Theatre’s . TRANSLATIONS British army engineers arrive in 19th-century rural Ireland to draw new borders and translate local place names into the King’s English in a work dating to 1980 from celebrated Irish playwright Brian Friel (). Also reprising their roles from a celebrated Seattle Repertory Theatre production to Arena Stage’s theater-in-the-round are Carlton Byrd, William Hall Jr., Reginald Andre Jackson, Nicole Lewis, Frank Riley III, and David Emerson Toney.
TWO TRAINS RUNNING Eugene Lee plays the owner of a soon-to-be-demolished diner in a changing black Pittsburgh neighborhood circa 1969 in this quintessential epic drama from the late Pulitzer Prize-winning playwright August Wilson. Taibi Magar directs the production from New York’s Ars Nova company and presented at Woolly Mammoth. The cast includes Lady Davonne, 2Deep Carter, Shane Marshall Solo, Ezra Tozian, Jay Sun, Darnell Eaton, Nexus, and Nicole Ruthmarie.
Jonathan Feuer, Anna Moon, and Ilona Dulaski also star. Philip Himberg’s “karaoke musical,” based on Tomer Heymann’s uplifting and thought-provoking 2006 documentary, makes its American premiere kicking off Mosaic Theater Company’s 2018 Voices From A Changing Middle East Festival. With Turner in the titular role, Clarkson is left to assume all the 360 other characters, plus they even throw in “a live game of Quidditch.” A critical and commercial success everywhere it’s played after its launch at the Edinburgh Fringe Festival, returns for another local run presented by the Shakespeare Theatre Company. Sidney Harman Hall, Harman Center for the Arts, 610 F St. Roz Kagan offers a new miracle drug to save Ray Leon’s hemophiliac twins. Allison Arkell Stockman directs 14 actors playing more than 60 characters in a 360-degree theatrical experience — “no curtain, no back wall, no proscenium” — propelled by an original rock-inspired score by Brian Lotter and Matthew Schleigh and performed live by a three-piece band. Melissa Baughman directs Lily Hoy in the title role. Kelsey Mesa directs Nora Achrati, Matt Bassett, and Helen R. THE NORMAL HEART George Boyd directs a production of Larry Kramer’s searing, Tony-winning drama about AIDS, a central work to the history of the LGBTQ movement and its theater. A gay cornucopia of music and fashion, might allow Baum’s original story and themes to slip somewhat through the cracks of the dancefloor. A comedy by Kevin Michael West ( focuses on an encounter between two guys who want to explore their sexual bondage fantasies, but they’re a bit klutzy, a bit nerdy, and a bit unsure of what they’re doing, and as a result everything goes a bit awry.
Joe Calarco directs legendary local actress Nancy Robinette as a slightly kooky innkeeper in Gettysburg, where a New York couple has taken up refuge to escape the hubbub of the holidays — only to be disturbed by a pesky ghost. PAPER DOLLS Five gay Filipino guest workers care for elderly Orthodox men in Israel by day and headline a drag show by night. “What we attempt to do is condense all seven Harry Potter books into 70 minutes,” Clarkson told during a previous tour of the show. ROZ AND RAY A gripping medical drama about a doctor at the onset of the AIDS crisis in the 1980s, as Dr. Bertolt Brecht’s story, with its vivid characters, high-stakes scenarios, and live music, should put that award-winning theatrical sleight of hand into sharp relief. Landless brings together artists from the theater and music worlds to help give the show the power and punch of a rock concert. THE PAVILION Fairfax’s Helen Hayes Award-winning Hub Theatre celebrates 10 years by reprising its inaugural production, Craig Wright’s modern twist on . Yet his staging expands the show’s varied palette of gospel, jazz, funk, and soul-infused Americana by adding a glossy layer of queer-friendly attitude. The company closes out its current season with a recent hit at the New York Fringe Festival exploring intimacy and identity in a gay world of labels and stereotypes.