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actually went to Italy in 1949 and proceeded to spend a great deal of money on preparations. In the end, there was Communist labor trouble in Italy, Gregory Peck fell ill, shooting was postponed for a year, and Huston and Hornblow managed to extract themselves from the project to make a film more to their own taste: ). Failing to win Lygia’s love through abduction and violence, Marcus eventually comes to admire the courage of the Christian community.
But after Rome burns in a spectacular Neronian immolation, the emperor scapegoats the Christians and condemns them to the savage Roman custom of facing beasts in the arena.
The success (at least in Europe) of the Franco-Italian (1854), helped spark an international vogue for the quasi-biblical tale.
Sienkiewicz puts the question into Peter’s mouth in an entirely different episode: Fleeing Rome on the Appian Way, Peter experiences a mystical encounter with Christ.
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There had even been a scheme to make the film in Mexico during World War II, but the project as we know it took shape after the war.
John Huston, known for tough dramas like and for his realistic war documentaries, was Metro’s curious choice to direct.